Jeff Friedman’s translations (with Dzvinia Orlowsky) of Mieczysław Jastrun in this issue. _______ Jeff Friedman’s website _______ |
![]() Jeff Friedman Brokers If you want to know the future, ask a broker. They glow with prophecy like radioactive birds. When they meet each other on the street, they radiate the odor of wealth, hugging like refugees who have just found someone from their extinct village. Money travels fast, so does bad news from brokers. They steep themselves in oil, pipeline it to sealed tanks and let it sit as they wait for the markets to crash and the freeze to begin. When they go home there are no homes, only a palace or two with electric gates and motion sensors that detect even the slightest movement of the poor. Brokers hum like bats emerging at dusk, zinging through air to snag their bloody bonuses. Numbers roll, heads fly. Confetti rains over suits as the skies light up with bombs and missiles and countries disappear from screens. Brokers win wars, empty graves so they can fill them again. They Fedex their packages of ash to the bereaved and ask for a signature. Their vaults grow larger than the equator. Occupation When you arrived, we blasted salvos in your honor, hung tapestries from terraces and rooftops. Our children gave you bouquets of wildflowers. We celebrated your body and its many stinks. We celebrated your sisters as saints, though they acted crudely. We learned your language with all its paradoxes and ironies, its contradictions. We combed the words for your intention, for the truth. Though we gave you everything we had, you always found what was missing. Though you claimed you wanted peace, you went to war with the slightest provocation. You emptied our houses as if they were bags of groceries. No matter how much you destroyed, now matter how much loss you inflicted, you claimed the rights of the victim and shed your tears and cried for revenge. Regret “There’s no profit in regret,” a friend once told me, a beautiful brunette recalling the “not so pretty” details of her numerous affairs. But what is regret: a long shadow falling on a sunny day? a reflection in water? smoke rising from all the chimneys of the past? a room whose objects keep changing? a city empty except for you? a scene in the mind that plays out with infinite variations but always ends the same? Regret lives in the heat of the moon the dark pages of the sun, among the song of the crickets, the cries of the cicadas as they fling themselves toward the sky. Regret lives in the open hand reaching out for nothing it can touch, in the blue jar of air, in the flicker of light that disappears before you can see what you’ve come this far to see. But the fox trotting through the ravine in the early morning sun regrets nothing even though the crows are there to remind him of his murders and to cash in on the remains. The world’s beautiful with love, so they say. A dog loves his master’s feet, licking them until the master puts on a pair of wool sox; the master loves the wool sox and his pipe and the cherry smoke rising from the pipe, and the cherry smoke loves its own scent and loves dust, feathers, shed skin, gloves of air and the pretty wind that sings to it while lovers twist a white sheet in love with how they love touching each other until they plunge into the shuddering sea surrounded by tiny sea creatures grazing their legs, and monarchs stream over waves of breath, returning from South America as the lovers’ bodies glisten like streaks of fat sizzling in oil, and their story multiplies for the listener who waits for the ending that will unveil the mystery, the truth, blue flame eating the orange sky, as the dog now bites the fur from his legs and the lovers float toward some conclusion that neither will love, as the war explodes on the horizon, the world shimmering with the beauty of love.
![]() | ||