www.redroom.com _______
“revisiting” initially published in Carolina Quarterly
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![]() Evie Shockley
revisiting — for l.b.s.s. i was waiting on a poem when my grandfather pushed through the screen door, the wire-webbed rectangle left slapping the wooden jamb behind him. i hadn’t seen pop too often since he died, hadn’t let my mind zap the gray distance from my cool bright here-and-now apartment back to the porch where, a girl, i waited out tennessee evening heat in the cradle of the suspended swing. down the dingy white cement stairs, across the dirt yard along a track of rusting sheets of scrap metal and embedded flat-top stones, pop goes, turns left at the road, then makes his way to the pasture gate and through to call the cows. sook, cows, sook, sook. their lowing answers him. they flick their ears, push themselves up from their knees, come like dignified dogs to begin their procession to the barn. pop shambles along in front, while the cows, with their fist-sized onyx eyes and their patternless black and white markings, pick their way over the uneven turf on precise hooves. he pens them, tossing straw over the rails with a free hand – golden, good. he comes back to me at 70 – the youngest i ever knew him – wearing an old man’s baggy pants and wattled triceps, but still able to saddle up and ride out to the cornfields each morning. now, p.m. chores at the barnyard done, he mounts, swings his leg out and over like the slow arm of a rusted compass. gee up. the mule trods the gravel road up from the barn, past the house, to the stable. his momma got a mule after the war, along with a life-sized portion of land. one of the lucky ones. pop turned her forty into hundreds and hundreds. black man with a few years of school and a head for figures surprised everyone but himself. back from the stable. pop’s boots molt mud onto the porch. it’ll stay there unless my grandmother comes back to me, too, this evening, to whisk it away when it dries. i straddle the two worlds: in the one, my seven-year- old legs motoring the swing, fat toes callusing against the dusty floor planks they barely reach, the tired beam that holds me aloft creaking loud enough to fill the half-easy
silence that always fell between me and my farmer-hero, and in the other my thirty-three-year-old eyes able to spot the contentment in pop’s. he’s pleased to perform his evening ritual in the company of his youngest daughter’s girl. the bowl of his pipe in the bowl of his palm, pop pries open the red prince albert tobacco tin, tips out a tiny ration of the brown ground and tamps it into the pipe’s hollow, his work-thick finger just the right size to fit. quick hiss of sulfur- scented flame and he’s drawing peace from poison, blowing the sweet aroma towards me like a misty kiss, rocking in the thin, paint-bare arms of his old throne, watching the late sun melt into the black branches of his trees. where’s carolina? east of childhood, north of capitol offenses, just west of a big blue treasure chest : wet coffin of neglected bones. in the veins, unnoticed as a pulse. at a counter : sitting in varicolored eloquence. behind the mystery of the magnet. home of horton, poetry’s bondsman : between anger and awe. below the line, overrated, underestimated. helms territory : within a belt, an expanding waste. atop hades : persephone’s threshold. beside cloud-hooded mountains. outside time : a coltrane solo. far from fatal. after all. ![]() | ||