Niki Herd’s God’s Graffitti: Cave Canem 1995-2008 in this issue _______ Cave Canem Contributors in this issue |
![]() Founded in 1996 by poets Toi Derricotte and
Cornelius Eady to remedy the under-representation and isolation of African
American poets in MFA programs and writing workshops, Cave Canem is a home
for the many voices of African American poetry and is committed to cultivating
the artistic and professional growth of African American poets. Called “the
major watering
hole
and air pocket for black poetry” by poet Nikky Finney, Cave Canem has grown
from an initial gathering of 27 poets to become an influential movement with a
renowned faculty and a high-achieving fellowship of 268 poets residing in 34
states. Its programs
include a week-long summer retreat, a first book prize, a Legacy Conversation
series, writing workshops, publications and national readings. Such renowned
poets as Elizabeth Alexander, Lucille Clifton, Yusef Komunyakaa, Carl Phillips
and Sonia Sanchez number among the organization’s faculty and judges. Cave
Canem fellows have over 150 books in print across several genres and have
received many prestigious awards—Guggenheim, Lannan Literary, NEA and
Stegner Fellowships; the Laughlin Award from the Academy of American Poets; and
the Whiting Writers’ Award, among others. To date, the organization has
published Gathering Ground: A Reader Celebrating Cave Canem’s First Decade (University of Michigan Press, 2006)
and The Ringing Ear: Black Poets Lean South ![]() | ||