See our Andrade Feature ______ Work by Steven Ford Brown can be found at the following websites: Britannica Article Cortland Review Issue 7 Cortland Review Issue 10 www.jacket.zip.com.au/ translations of Angel Gonzalez the Marlboro Review _______ Work by Steven Ford Brown can be found at the following websites: Britannica Article Cortland Review Issue 7 Cortland Review Issue 10 www.jacket.zip.com.au/ the Marlboro Review _______ Critical writing by Steven Ford Brown at barnesandnoble.com: ______ "Sunday" first appeared in Poetry. Copyright 1998 by the Modern Poetry Association. Reprinted with permission. "Hydrographic Poem first appeared in Hayden's Ferry Review. Reprinted with permission. |
Hydrographic Poem Everywhere in the world rivers seek each other, spreading throughout the earth their glass trumpets. Navigation charts contain the blue biographies of rivers. Equatorial hydrography illustrated with fruits of the earth. Ecuador: South America, in its parrot stupor, dozes in your hoop of color. From the tree-lined coast embraced by the bow of a silly snake. Mulatto coconut trees with flexible waists. Banana trees with rosy entrails. Forests pierced by parrots, cane huts, homes of shore dwellers; tamer of mosquitoes and decapitator of coconuts. Fierce mountain rivers: waters that bite like spurs provoke horses to rear up on hind feet. Infant scribble of bridge where each morning an Indian woman passes carrying a pitcher of milk. Eastern shores populated by partridges. Turtles with eyes of stone, gold washings, and paralytic roots of science. Rubber tree, with its deep wounds, —staircase for Indians—, soaring high into the sky. Blonde immigrants carrying seeds and rifles in boats of rough wood. Booming sound of plows close to the great rivers. Barefoot colonists see a rainbow reflected in an earth combed with blessed furrows. Sierra of toiling rivers, sea coast of artisan rivers, Orient of missionary rivers, let us launch our ships on fresh waters!
Sunday Fruit seller church seated at the corner of life: crystal orange windows, the sugar cane organ. Angels: little chicks of Mother Mary. The blue-eyed bell wanders off on bare feet throughout the countryside. Sun clock: angelic burro with its innocent sex; wind, in Sunday best, bringing news from the mountains. Indian women with loads of vegetables embracing foreheads. The sky rolls up its eyes when it sees the church bell run barefoot from the church.
Sierra Ears of corn, with canary bird wings, plucked from roof beams. Guinea pigs deceive the illiterate silence with bird squeaks and a dove-like cooing. There is a silent rustling in the hut as wind pushes at the door. The fierce mountain has opened —with ribs of lightning— its dark umbrellas of cloud. Francisco, Martin, Juan: working the mountain plantation are surprised by a downpour. A shower of birds falls shrieking into the tilled fields.
Festival Of San Pedro Sorrel horse, sorrel horse. After a meal of plums, a mad gallop toward the village roofed with straw hats from the highlands. The horseman carries a roll of wind in the wing of his poncho. Shouts in the street ruffle handbills posted on windows of tobacco shops. A drum roll of wind echoes in our ears. Trees run Indian file up the hill. A howl throws its lasso of ice around the throat of silence. The first house of the village has a coiffure of lights. The peons of Santa Prisca have come in their plum-colored ponchos: drunk on fireworks they lean in the shoulders of doorways. The Shouting Wheel! The Wheel of Lights! The Wheel! Night with its brandy-colored eyes dies pierced by rockets.
Election Handbill for Green Marine green, admiral of greens, terrestrial green, comrade of farmhands, numberless advance payments on everyone's happiness, infinite sky of livestock grazing on cool eternities. Thicket of submarine light where plants, insects and birds consume their lives in the silent love of a green god. Green odor of fleshy agave brewing in its vegetable cauldron, a profound liquor blended from rain and shadow. Tropical plateau where the tattooed head of a pineapple —with green plume— sweats. Hunchbacked green shrubs, poor relatives of the hills. The green music of insects eternally sewing a coarse cloth of conch grass, where waders live in violins amid the drumming of opaque little, green bullfrog drums. A green anger of cactus, the patience of trees that harvest in emerald nets a miraculous catch of birds. All this green appeasement of the world, drowning itself in the sea, climbing mountains to the sky, running through the river —school for nudity— and in the nostalgic cow which is the wind.
Translated by Steven Ford Brown
|
||